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How to Write for PERCUSSION By Samuel Z. Solomon
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- Sales Rank: #194046 in Books
- Published on: 2004-03
- Number of items: 1
- Binding: Paperback
- 192 pages
Review
"A must for all composers, conductors and instrumentalists. By far the most absorbing and demanding book on percussion writing." -- Jeffrey Milarsky, Percussionist, Conductor, Professor in Music, Columbia University
"A true contribution to the literature of orchestration." -- Samuel Adler, Professor Emeritus, Eastman School of Music, Composition Faculty, Juilliard School, Author, The Study of Orchestration
"It will be required reading in my classes and a fixture on my desk." -- Steven Mackey, Composer, Guitarist, Professor of Music, Princeton University
About the Author
Percussionist Samuel Z. Solomon has been responsible for dozens of world premieres of solo and small ensemble works. With saxophonist Eric Hewitt, he is co-founder of the Yesaroun? Duo; the Duo has been featured in recitals all over the northeast United States, in Italy, and in Cuba. Mr. Solomon made his Carnegie Hall debut in February of 2000, performing the world premiere of John Mackey?s Concerto for Percussion and Orchestra as guest soloist with the New York Youth Symphony. In December 1999 he was featured in Lincoln Center?s Alice Tully Hall, performing the American premiere of Iannis Xenakis?s final composition, O-Mega for percussion solo and chamber orchestra, with the New Juilliard Ensemble. Mr. Solomon spent six summers at Tanglewood, three as a Fellow of the Tanglewood Music Center, and six years at Juilliard, receiving two degrees. He lives in New York City.
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